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- "Still Traveling"
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Perry Robinson Quartet
- "Still Traveling"
WestWind WW 2138, 2003
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Like Thelonious Monk,
Perry revisits and reinterprets his and others' compositions. Some
of the pieces on "Still Traveling" have been recorded
before, but these are no mere rehashes of old ideas. The varied
tunes come from all stages of Perry's career, and each one tells
a compelling story ... [more]
Cover:
Kurt Schötteldreier
Perry Robinson
- clarinet
Christoph Adams - piano, vocals
Ed Schuller - bass
Ernst Bier - drums
1. |
Prelude
in D Minor |
Perry
Robinson |
7:32 |
2. |
Un
poco de |
Perry
Robinson |
6:30 |
3. |
Atomic
Twist |
Perry
Robinson |
6:26 |
4. |
Bows
and Arrows |
Jake
Jacobs |
4:54 |
5. |
The
Traveler |
P.
Robinson / words Ronnie Khan |
6:11 |
6. |
Thar
Song |
Perry
Robinson |
4:03 |
7. |
Home |
Perry
Robinson |
6:20 |
8. |
Ola
Tete |
Perry
Robinson |
5:06 |
9. |
You
are too good |
P.
Robinson / words Ronnie Khan |
6:11 |
10. |
Buzzin
at the Bo |
Perry
Robinson |
3:21 |
Recorded, mixed
and mastered at On Air Tonstudio, Berlin April 1999
Engineer : Ahmed Chouraqui
Producer : Ernst Bier / Ulli Blobel
Photos
: Arjen Veldt
Text :
Matt Snyder
Ernst Bier plays Bosphorus cymbals
Thanks to Gunther Kortwich Film-Ton-Technik Berlin for the sounds we used on "Atomic Twist" and "Buzzin at the Bo".
Thanks to Hahn-Meitner-Institut Berlin and Marie Haltod for the real Geiger-Counter sound at the end of "Atomic Twist".
Mp3 - Listen to the tracks of the CD.......
order at...........

Linernotes
The music
Like Thelonious
Monk, Perry revisits and reinterprets his and others' compositions.
Some of the pieces on Still Traveling have been recorded before,
but these are no mere rehashes of old ideas. The varied tunes come
from all stages of Perry's career, and each one tells a compelling
story.
The Band
I will follow
maestro Perry Robinson's lead and refer to this as The Perry
Robinson Quartet: Phase Two. Phase One lasted from 1984 to 1996,
and produced three CD's: the live set Nightmare Island (West
Wind, 1988), and the studio dates Call to the Stars (West
Wind, 1990) and Angelology (Timescraper, 1996). Following Angelology and a European tour, pianist Simon Nabatov went
on to pursue his own projects and was replaced by Christoph Adams,
who had been playing in a trio with Ed Schuller and Ernst Bier for
several years. Adams proved to be an easy fit for the group.
"It's a nice
evolution to the Quartet," says Perry. "Simon was so strong, he
made me a better player, but now Christoph brings something different
to the band." Though he is a strong two-fisted player who can produce
sonic booms as needed, Adams adds an introspective vibe to the proceedings.
He also brings
his voice. Christoph is active in Germany as a vocalist as well
as a keyboardist in commercial music, and his vocal talents are
featured on three selections on this disk, adding a new dimension
to Perry's music and to the palette of the Quartet.
Bassist Ed
Schuller, now the most musically outspoken member of the band, has
come to the fore since Nabatov's departure. His manic energy is
a foil for the more polite musings of Robinson and Adams. Ernst
Bier, caught in the middle, balances these conflicting impulses
with ease. The drummer has known Perry for over 25 years, and it
was their friendshipthat formed the core of the group.
Above it all
floats Robinson, still the 'sui generis' master of his own idiom.
Whether you are looking for an endless array of composed music,
an utterly original improvisational voice, or simply a gateway to
other worlds of sound and consciousness, Perry Robinson is one-stop
shopping. Phase Two of the Perry Robinson Quartet is a joyful
continuation of this singular musician's most personal vehicle of
expression.
Matt
Snyder
Das sagt die Presse:
Den Atem durch
die Klarinette strömen lassen [...] mit Bravour erschaffen die Musiker
einen äußerst durchsichtigen, manchmal geradezu kammermusikalischen
Gruppensound. Schlagzeuger Ernst Bier spielt dezent und doch wirkungsvoll,
der poetische Pianist und gelegentliche Sänger Christoph Adams läßt
der Musik Raum, wodurch der virtuose Bassist Ed Schuller im Gruppenklang
immer präsent ist. Durch Perry Robinsons Klarinettenspiel bekommt
die Musik eine ganz eigene Note. Nach einem so schönen Konzert fragt
man sich: Warum fristet die Klarinette so ein Schattendasein im
modernen Jazz ?
Göttinger
Tageblatt
Hörerlebnis
für Gourmets - Perfekte Interaktionen [...] stilistisch bewegt sich
das Quartet völlig frei und unterliegt keiner ideologischen Zwangsjacke.
Zwischen Blues und BeBop mischt sich undogmatisch freie Atonalität.
Schuller streicht seinen Bass schon mal "klassisch" mit dem Bogen
und durch Unisono-Spiel zwischen Klarinette und Bass oder Klavier
entstehen überraschende und neuartige Klangeffekte. Dieses Konzert
war eine Mischung aus gekonnter Interaktion und hoher Intuition,
aus Intelligenz und Gefühl. Die lebendige Urwüchsigkeit dieser Improvisationen
auf höchstem Niveau war ein spannendes, lustvolles Erlebnis, und
daß tatsächlich keiner irgendwie abfiel, war ein geradezu perfekter
Genuß der ganz besonderen und seltenen Art.
Pforzheimer
Zeitung
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Diskographie:

From A to Z, 2010

Children's Song 2005

Still traveling, 2003

Angelology, 1997

Call To The Stars, 1990

Nightmare Island, 1988
Perry Robinson Quartet/Trio
Perry Robinson
was a living legend. He has been sited as the precursor who opened
up the way for such players as Don Byron. Perry Robinson's musical
direction may be clearer when you know that for more than sixty
years he has been sharing the stage with the likes of Archie Shepp,
Dave Brubeck, and Charlie Haden.
Robinson's
musical world is filled with unusual arrangements and rare compositions
combined with a lot of blues and swing. The quartet - with Ed Schuller
on bass and Ernst Bier on drums - has existed since 1984. Pianist
and singer Christoph Adams, who took over Simon Nabatov's seat,
has been with the band since 1998.

Photo: Mehmet Dedeoglu
Perry Robinson - Clarinet
Robert Palmer of the New York Times called Perry Robinson the most
gifted clarinetist in modern jazz. Between 1967 and 1984 he was
selected eight times by the Downbeat International Critics Poll
as clarinetist most deserving wider recognition. He has recorded
some forty albums in a musical career that had already begun at
an early age at home. His father Earl Robinson was a famous composer
of film music, operas, and popular music (Joe Hill, The House I
Live In, Ballad for Americans).Up until 1959 Perry shifted between
clarinet and saxophone, playing mostly folk music during this time.
He received a scholarship to study at the Lennox School of Jazz
and began concentrating solely on clarinet.

Photo: Mehmet Dedeoglu
Perry subsequently
studied at the Manhattan School of Music in New York. Shortly before
he was sent to Panama by the US Army to play in the 79th Army Band
in 1962, Robinson recorded his first album under his own name. Pianist
Kenny Barron, bassist Henry Grimes, and drummer Paul Motian accompanied
Perry on Funk Dumpling, which was recorded on the Savoy label. After
it's longtime status as a much-sought -after collector's piece,
it was re-issued on in 1987 on the Muse label.
As Perry was
released from the Army, the Free Jazz revolution was in full swing.
He moved back to New York, where he quickly became a fixture in
the New York New Wave scene, and there followed years of intensive
activity. Perry recorded with Archie Shepp on his album Mama Too
Tight on the Impulse label, and with the great bassist Henry Grimes'
trio on the album The Call for the legendary ESP label. He worked
with Dave Brubeck from 1971-1974, worked and recorded with Gunther
Hampel's Galaxie Dream Band, Charlie Haden's Liberation Orchestra,
Ray Anderson, Carla Bley and Michael Mantler, and was a featured
soloist on Bley's classic Escalator Over the Hill recording.
Robinson has
toured Europe countless times and is also one of the most sought-after
clarinetists on the European scene. In 1984, he formed the Perry
Robinson Quartet; the group included drummer Ernst Bier, bassist
Ed Schuller, and pianist Simon Nabatov. Over the next few years
they toured the USA, the Caribbean, and worked the New York jazz
club circuit, playing in such major clubs as the Blue Note and Fat
Tuesdays. The quartet made their first European tour in 1987, and
in 1989, after some 27 years, Perry recorded the second album under
his own name. Nightmare Island was a live digital recording of the
band's performance at the 1988 Leverkusen Jazz Festival. Call to
the Stars (Westwind/ITM) was recorded in the summer of 1990, and
Angelology (Timescraper) was brought out in 1996.Pianist Christoph
Adams joined the band in 1998.
Amazon.de:
Detailseite: Perry Robinson: The Traveler
http://www.amazon.de/exec/obidos/
Quartet with:
Christoph Adams - piano
Ed Schuller - bass
Ernst Bier - drums
Trio with:
Ed Schuller - bass
Ernst Bier - drums
Christoph
Adams - piano
From 1986 to 1995 Christoph studied jazz piano with Jiggs Whigham
and John Taylor at the University of Cologne's School of Music.
He graduated with honors. Christoph has toured Europe, West Africa,
Russia, USA, and Cuba with Woody Shaw, John Taylor, Lew Soloff,
Lonnie Plaxoco, and others. Besides his work as pianist, he is a
composer, arranger, and singer. Since 1990 Adams has led a piano
trio which concentrates on his own compositions. The trio has made
radio productions for Germany's WDR, NDR, and SR radio stations.
His CD Christoph Adams Trio (New Morning Records), with Ed Schuller
and Ernst Bier, came out in 1997. Adams has performed as solo pianist
since 1995.
Ed Schuller - bass
Ed Schuller studied music theory, clarinet, and bass with David
Levenson of the Cleveland Symphony Orchestra from 1970-2. From 1972-74
he studied with Larry Wolf of the Boston Symphony Orchestra. He
graduated from the New England Conservatory of Music with a major
in African-American music. Schuller has worked with Paul Motian,
Tim Berne, Eric Watson, Armen Donelian, Marty Cook, Jim Pepper,
Mal Waldron, Pat Martino, Barry Miles, Jaki Byard, Lee Konitz, Sal
Nistico, Clark Terry, Kenny Clark, Red Rodney, Julius Hemphil, and
Karl Berger. He currently works and records with Joe Lovano. Schuller
has played on more than 30 LP and CD recordings, including albums
with Bill Frisell, Joe Lovano, Jim Pepper, John Scofield, Billy
Hart, Simon Nabatov, Herb Robertson, and Marty Cook. His recordings
as bandleader include The Eleventh Hour, Mu Point, The Force, Snake
Dancing (TUTU), and To Know Where One Is (Power Bros).
Ernst Bier - drums
Ernst Bier studied at the Swiss Jazz School with Billy Brooks from
1974-1976, with Charlie Persip and Vernell Fournier in 1982 in New
York, and with Elvin Jones in 1984 in Florida. From 1977-81 he taught
drums and improvised music at the Universities of Göttingen and
Kassel. From 1976-82 appearances, productions, and recordings with
Allan Praskin, Jack Gregg, Chet Baker, Mal Waldron, Attila Zoller,
Lou Blackburn, Herb Geller, Paolo Radoni, and Don Friedman, etc.
Bier moved to New York in 1982, where he appeared and was involved
in productions with Ted Curson, Junior Cook, Joe Lovano, Ron McClure,
Ricky Ford, Reggie Workman, Ray Anderson, Lester Bowie, etc. After
his stint in New York, Ernst moved back to Germany in1987. Since
his return he has been involved with tours, productions, and recordings
with Mack Goldsbury, Charles McPherson, Ron McClure, Jim Snidero,
Conny Bauer, John Schröder, Herb Robertson, Walter Norris, Karl
Berger, Billy Bang, The Sweet Georgia Brown Tap Dance Show, Frank
Möbus, Dave Pike, etc.
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