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/ discography/ Ernst Bier - Mack Goldsbury / Persuasive Freedom
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Ernst Bier / Mack Goldsbury
Quartet
"Persuasive Freedom"
Jazzwerkstatt – jw305
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In 1994 Ernst Bier and Mack Goldsbury decided to form a collaborative band. In the meantime, more than 25 years have passed, and the list of musicians who have participated in this band is very long... [more]
Cover: Herbert Weisrock
Mack Goldsbury
- tenor-, sopransax, flute
Rolf Zielke – piano
Erik Unsworth – bass,
Ernst Bier - drums
Special guest. Kevin Burrell – percussion
1. |
Time on Monday |
Mack Goldsbury |
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8:30 |
2. |
Like Derwyn |
Mack Goldsbury |
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3:50 |
3. |
Samba Macumba |
Mack Goldsbury |
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5:55 |
4. |
Persuasive Freedom |
Mack Goldsbury |
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5:23 |
5. |
Incandescent |
Erik Unsworth |
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8:52 |
6. |
Soulful Bill |
James Williams |
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4:52 |
7. |
Persistance |
Mack Goldsbury |
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3:17 |
8. |
Strange Things |
Rolf Zielke |
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8:01 |
9. |
Mother´s Day |
Mack Goldsbury |
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4:02 |
10. |
Avenue G |
M. Goldsbury/ B. Lenox |
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3:36 |
11. |
Grey |
Erik Unsworth |
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6:48 |
Recorded live at Greve Studio – Berlin July 01.- 02. 2019
www.greve-studio.de
Sound engineer: Volker Greve
Mixed: Volker Greve
Mastered: Volker Greve
Producer: Ernst Bier
Executive Producer: Ulli Blobel
Design: Herbert Weisrock
Ernst Bier plays Pommerenke Drums - www.schlagzeugbetreuung.de
Linernotes
In 1994 Ernst Bier and Mack Goldsbury decided to form a collaborative band. In the meantime, more than 25 years have passed, and the list of musicians who have participated in this band is very long. A total of four CDs have been released, featuring Reggie Moore, Martin Lillich, Herb Robertson, Frank Möbus, Ed Schuller, Maciej Fortuna and Mathias Bätzel, among others. The current quartet, featuring pianist Rolf Zielke and bassist Erik Unsworth, who hails from El Paso, Texas, has been in existence since 2016, and these recordings were made in July 2019 at the Greve recording studio in Berlin. As a guest, the American jazz percussionist Kevin Burrell, who lives in Berlin, participated on three tracks.
You can expect a CD with extraordinary and exciting music ......... let yourself be carried away by the musicians' joy of playing!!!
Press
In 1992 drummer Ernst Bier (born 1951) and saxophonist Mack Goldsbury (born 1946) from NYC moved to Bertin, where they formed a band in 1994. Since 2016, the quartet exists in the current lineup. The eleven tracks on this album are mostly written by Goldsbury, two by
Erik Unsworth, the Texan on bass, and one by pianist Rolf Zielke. Together with "Soulful Bill" by Jazz Messenger James Williams, whose folk song character is highlighted by the tenor and soprano saxophonist on piccolo, they are the stuff of coherent and atmospheric interplay between soul-jazz and postbop. All the songs have what it takes to become standards and are interpreted powerfully and often swinging in the tradition of the 1970s, so that one almost feels transported to a live concert.
In "Time on Monday, the solos, including that of guest percussionist Kevin Burrell, another American in Bertin, are embedded in a repeated hymn marked by drums and sax. The lyrical " Samba Macumba " is not only hymn-like, there's something magical about it. The program is nicely balanced between driving numbers and intense ballads. Bier's polyrhythmic playing stands on equal footing with the co-leader's husky and melodically singing tenor sax. The catchy song character of "Persistance", the fervor of " Incandescent " are just as gripping as the propulsive title track. But "Soulful" would also have been a fitting CD name.
Jazz Podium März-April 2022 Godehard Lutz
Ernst Bier and the Mack Goldsbury Quartet play gracefully and delight us with beautiful improvisations and a groovy rhythm section. Fresh, full of charm and joy of making music.
jazz-fun.de
Drummer Ernst Bier and saxophonist/flutist Mack Goldsbury have been
together in various settings since 1994, and they have been flanked by
Rolf Zielke (p) and Erik Unsworth (b) since 2016. Musically, celebrated
joy of playing is at the center of the original compositions between bop
and swing. Ernst Bier garnishes all this with tasteful drumming and that
is in this case not only the drumset but also the percussion played by
Kevin Burrell. All this not only gives the arrangement and improvisation,
but also gives the melody its space.
drums & percussion 3 / 2022 Ingo Baron
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Diskographie:
2021
Persuasive Freedom
2010
Arteisa Sunrise
2003
A-Live at the A-Trane
2000
Next Move
1996
At Night When You Go To Sleep
Press
Ernst Bier / Mack Goldsbury Quartet - Persuasive Freedom
The titles in detail
Hymns - Coltranesque themes
Time on Monday
Sax and bass start off in a restrained manner, cautiously searching for a theme. A prelude drags on until the piano introduces the found theme. The sounds strongly hymnal,sometimes coltranesque. Somewhat pathetically, Sax and the rest of the band continue.A bass solo bridges the break to hand the baton of the solo to the drums - a theme for Trane lovers.
Moving themes - free swinging – Monkish titles
Like Derwyn
After the melody line sounds, it's up to the piano to provide the harmonic drive. The rhythmic drive is taken care of by the band as casually as sovereign. Mack Goldsbury can't refrain from transforming the intense and expressive cries of his saxophone into melody and harmony. The piece has something of a Monkish esprit. There's plenty of room for solos. This is also true for Ernst Bier, who fills the thematic pauses and gaps with the concentrated - in the literal sense - punch of his many years of experience.
Strange Things
A programmatic title. The band plays freely in the beginning, but then glide into pleasing melody lines and improvisations. It almost sounds like a ballad, but only very briefly. Then Mack Goldsbury's saxophone is filled with the unleashed sequences of his motives. After the bass has contributed to the harmonic reconciliation, the tenor picks up where it left off and decides to play the theme as a free ballad after all.
Outgoing rhythmic pieces
Samba Macumba
Pleasing melody and "on-turning" rhythm. As the title says, so it sounds. Long soloistic passages - by the unleashed Rolf Zielke on piano - lead the way, only to be replaced by the voluminous sound of the tenor - mature power sound of the quartet. The title Persistance sounds similar with swinging motives, walking bass and agile drumming as rhythmic basis. This takes off.
Persuasive Freedom
The title theme introduces itself with a striking statement, while remaining entertaining. As soon as a theme, a rhythm, is "addressed", it is immediately released for improvisation - free of traditional harmonies.
Mother's Day, Avenue G
These are also titles with immensely driving rhythms. Interlocking figures, which rise up to be dramatic. Especially the man on tenor sax lets the tension rise. This only works so well because the other co-creators provide a musical basis in which there is nothing, but really nothing, to complain about. For the "Berlin" jazz musicians, that is the highest praise.
Ballads
Incandescent
Ballads have to be, because the musicians have their stories to tell. Mack kicks things off: coltranesque, full-bodied, a mature tenor sax in the best tradition of the great jazz classics. The piano blends beautifully into the musical statement of this ballad - sparkling, swinging, refreshing. The bass doesn't want to be left on the sideline. Erik Unsworth complements the playing with virtuoso runs of his warm-toned figures. What would a ballad be without the singing elegance of the bass violin's low wood tones? A few pleasing melodic dabs of the saxophone, the theme gently fades away.
Grey
Another ballad - something to dream about. But not title gray, but of the dark red beauty of the "timbre" Bordeaux, which gives its name to balladic jazz.
Soulful Bill
Here Goldsbury blows a flute for once. A swinging theme, performed ballad-like, conveys tranquility. Balanced, the musical elements of calm and tension are distributed - a ballad for daydreaming in the late afternoon.
JazzDayGermany 2021, Cosmo Scharmer
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